Powerful application for creating professional looking layouts · Design layouts for the print and digital publications · Modern looking environment with advanced. Download Adobe InDesign CC v Free, Print Layouts, Magazines, There are various layout including Liquid Layout to place the objects.
 
 

[Adobe indesign cc liquid layout free download

Subscribe now! In addition to the HTML version of the excerpt below, you can also download the excerpt as a PDF that retains the full design of the magazine. Any time a feature is added to InDesign or any mission-critical tool, Adobe is always keen to tell us what that new feature is. Many InDesign experts then rush to tell us how to use that feature through articles, videos, blog posts, presentations, and so on. Will it impact our work positively or negatively and to what degree in either direction?

What will it save us—or cost us—in terms of productivity? Does it solve a need you and I actually have—or will have in the foreseeable future—or is it just something cool or not that sounds like we might want to use but probably never will?? Liquid Layout will help us. It will make our work easier.

It will impact our work positively by lessening it. It will cost a little bit of up-front learning time for a long-term payoff like with styles. And yes, if you are planning any multi-output publishing, it will solve a need you actually have.

Liquid Layout is a way to automatically or semi-automatically adapt page content and objects from one page size or orientation to another. So what can liquid layout do for you? Short answer: It can save you hours or even days of reworking the same content into different layouts, page sizes, and orientations. It can do everything Layout Adjustment can, but with a lot less manual cleanup… and only a little more prep work.

OK, that was the short answer. Want more details? Still need to be convinced? Have a look at Figure 1. For most designers that usually means two completely different layouts, built independently of one another, with text poured in from Word docs and figures, sidebars, etc.

For more-savvy layout artists who use anchored objects and such, the workflow is usually to create a copy of the hardcover layout, enable Layout Adjustment, and resize the pages. With Liquid Layouts, the workflow is: create the hardcover edition with anchored objects, prep the objects to resize when needed, create a copy for the paperback edition, resize the pages, and perform minimal manual cleanup.

Typically layout begins with one orientation say portrait of pages sized for an iPad. The document is then duplicated, reoriented for the other viewing mode landscape. From there, it gets really complicated because not only do objects need to be repositioned for the new orientation, oftentimes the text frames need to be adapted to the wider area, moving from one-column to two, two-column to three, or what have you.

And once that labor is finished you still have to create portrait and landscape versions for the Samsung Galaxy, and other 7- and inch Android tablets. With Liquid Layout you might not even have to design the second layout, much less everything after it. Go to the master page controlling the document page we just looked at, and resize it via the Edit Page Size button at the bottom of the Pages panel CS5 and later.

I set mine to Tabloid. Now switch back to the document page to observe the change. This action, done in CS5 or CS5. This time, enable Layout Adjustment, and then resize the master page.

Your document page should now look something like Figure 5. Notice that the text frame now correctly resizes to follow the margin guides. Starting with an identical document, using a primary text frame filled with placeholder text in two columns and the same unanchored image.

After again making sure that Layout Adjustment is disabled Liquid Layout is still technically available, in the Liquid Layout panel flyout menu , go to the master page, and use the Edit Page Size button at the bottom of the Pages panel to resize it to Tabloid. Here we see the first inkling of the Liquid Layout behaviors exposed Figure 6.

The text frame behaves exactly the same way as in previous versions of InDesign, but the graphic frame retains its relative position to that text frame—again, that frame is not anchored or inline. Add or remove additional columns to fill the new space instead of widening or narrowing existing columns.

Keep the content positioned the same distance from one or two margins while increasing the space between the content and the other margins. Or, in the same scenario, keep the content fixed to one or two margins and stretch or resize it in the direction of other margins. Actually, Liquid Layout can grant all of those wishes. You just have to choose the correct rule and do a little of that prep work I keep mentioning. Liquid Layout rules are like directives you give InDesign to govern the resizing and repositioning of elements on the page in response to page-size or page-orientation changes.

By default, no liquid layout rules are applied to master or document pages. But if you select a document or master page in the Pages panel, you can change it to one of several very helpful rules. Before getting into those, however, I should advise you that Liquid Layout and Layout Adjustment are incompatible with one another.

If you enable Layout Adjustment, it stops Liquid Layout behaviors from functioning. And because the default rule for master pages is None, until you change the rule on a master page, this ends up being little more than a slightly-improved Layout Adjustment.

The Scale rule does that exact same thing but without grouping the objects and it works in response to page size changes. Start out the same way we have been, with a document page like we used above, or something a little more complicated, like my page layout in Figure 8. And in this case, we only want this one page to change.

So in order to use any rule except Controlled by Master, I need to change the document page rather than its master. The first thing I want to do on the Control panel in this mode is change the Liquid Page Rule dropdown to—you guessed it—Scale. The extra whitespace on the sides of my design is caused by the fact that the Scale rule scales the entire page contents in proportion until it reaches the edges of the page, either the horizontal or vertical trim edges.

The content is then centered on the other plane, leaving space as needed. All the other rules merely change the dimensions of frames, not their contents. Rather, it merely keeps the content perfectly centered both horizontally and vertically to the page edges. As you may have already noticed, with the Page tool active, CS6 displays a bounding box with a unique set of control corners on the page itself Figure Go ahead, drag one of those control corners.

Then, when you let go of the mouse button, the page returns to the way it was! Adobe wants you to be able to set Liquid Layout rules on content that the viewing device may employ to create the change. Therefore, they say, using the Page tool to temporarily resize the page, thus previewing what will happen to the page in a web browser or mobile device, is something users will do more often than actually resizing the page with the Page tool. Something else to keep in mind when using the Re-center rule: It only really works for making the page bigger.

The entire page content will then center in the browser window, pillar-boxed, with empty space or a background image to either side. If you size a page smaller than its content, the Re-center rule will force that content to fall outside the page trim area, cropping that content upon export. Guide-based and Object-based rules control how Liquid Layout transforms individual objects to make truly adaptive layout changes.

The idea is that by placing a guide—a new, special kind of guide called a liquid guide—so that it touches one or more objects on the page, those objects will then expand or contract, grow or shrink, in different ways to adapt to changing page dimensions. Give it a try. Beginning with a mixed-content layout like the one shown in Figure 12, drag a vertical ruler guide and drop it so that it touches one or more, but not all, of the objects on the page.

Now, with the black-arrow Selection tool active, hover your cursor near the top of the guide you just created. While the guide is still selected, click on that icon; the entire guide will transform from solid to dashed, and the icon will change as well.

Switch to the Page tool and set the Liquid Layout rule to Guide-based. Widen the page—either with the Page tool, the page size Width field on the Control panel, or the Page Sizes button at the bottom of the Pages panel. Now, while keeping the Page tool active, drag a horizontal guide out of the ruler and place it somewhere on the page overlapping some but not all objects.

Note that when you create a guide with the Page tool active, it automatically becomes a liquid guide; doing so with any other tool active creates our old friend the standard ruler guide. Resize the page width and height.

For my design, I converted from an 8. As you can see, objects touched by the liquid guide can adapt in both dimensions while other objects remain unchanged. One thing that bugs me about the results I received is the two-column text frame. Widening the page like I did made those columns too wide for my taste. Given the fact that my document started out as a two-column layout within half-inch margins on an 8. Because of setting a maximum column-width measurement, you should now see your text frame pick up additional columns when its adaptation to the new page width would otherwise force a column to exceed that maximum width Figure Think about that for a moment: With that one little alteration you can make text frames go from one- or two-column presentation in portrait mode digital magazine layouts to two- or three-column presentation in landscape mode—automatically.

Although it may seem a little weird in practice, using guides for this purpose really works out. I liken it to using frying pans as blunt weapons—an obvious choice in hindsight. Who knew? Finally, we have the most confusing, counterintuitive, un-InDesign-like, but most controllable of the Liquid Layout rules, the Object-based rule.

This rule lets you define a different adaptive behavior for each object on your page. Start with a simple layout in which there is only a placed graphic floating dead center on the page Figure Soon, those odd lines and symbols will multiply.

Now there are a few more lines and symbols both within and outside of the graphic frame. These solid lines, with filled circle terminuses, indicate that the object is pinned to the top and left, meaning that when the page resizes, the frame will always be the same distance from the top and left; only the distances to the bottom and right sides of the page will change, which is indicated by the open circles on those sides of the frame.

Moving along to the inside of the frame, dashed lines delineate the horizontal and vertical dimensions of the frame. On the horizontal line is a padlock icon, while the vertical displays a spring. In other words, the frame will always be however wide it is, no matter how wide the page gets, but it will grow or shrink in depth along with the page height changes. This is the same Auto-Fit feature that was in CS5, but now it shows up in this panel, too. Now, imagine setting these object-specific movement and sizing options on all the objects within a complex layout destined for multiple outputs—a big poster, a small flyer, and a blowcard, or a digital magazine bound for the iPad, the XOOM, the Transformer, the Fire, the Galaxy Tab, the Playbook, and so on, in portrait and landscape versions for each device.

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What is Liquid Layout in InDesign? [+ How To Use It] – Download Adobe Indesign 2021 Full For PC:

 
 
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